Character Actions: The Building Blocks for Emotional Complexity

Every action has a purpose

1. To create suspense

Otis did not back down. He stepped forward, a twig cracking under his shoe. A cricket chirped. He aimed the gun at Nicolas. Sweat trickled down Otis’s forehead, burning his eyes. Otis clicked the trigger.

Previously, this paragraph began with the sentence, “Otis clicked the trigger.” None of the sentences building up to this moment were there, and with no buildup, there’s no suspense.

2. To emphasize a point made in dialogue

Ed lunged at Otis, snatching the gun from his hand.

“Gotcha!” he said, mirthfully waving the gun. “Now we have knives and a gun. And we’re bigger.” He flexed his bicep. “Guess who’s gonna win.”

Although flexing is a pretty obvious display of someone’s strength and size, the action highlights Ed’s obnoxiousness and leads readers to dislike him even more.

3. To add tension between a character’s words and emotions

“Not even how you used to spend your Friday nights?” The hint of a smile formed in the corners of Mrs. Thompkin’s lips.

“I don’t know what you’re talking about,” Shelly said, rubbing the back of her neck.

Although Shelly claims innocence, her nervous gesture implies that she’s hiding something.

Picture the scene as a movie in your mind

When you’re writing a scene, you’re painting a picture for the reader. Before you can accomplish this, though, the picture must be clear in your own mind.

Imagine each scene playing out in your head. Visualize the setting. Where would the character be standing right now? Where is he in relation to the other characters? Are they crammed together in a tiny room, or are they scattered about in an auditorium?

Thinking about scenes in these terms help to simplify the process of creating more believable characters and situations.

Revealing a character’s emotions through action need not be viewed as some mystical process but can be as simple as checking items off a list:

•What are others’ perceptions of this character?

•What is the character thinking and feeling?

•How is the character interacting with his/her space?

•What is the character physically doing (or not doing) at this moment?

•How are others reacting to this character’s words and behavior?

•How is the character trying to hide his/her emotions?

Conclusion

“Show don’t tell” is a rule we’ve all heard a million times and grasp intuitively, but it can be hard to pull off, especially in longer works where we’re juggling plot, dialogue, etc.

Luckily, just as the five senses can be utilized to create more dynamic descriptions, character actions are the building blocks for richer characters with complex emotions. Although the process of developing these characters is a straightforward one, the end result will be organic characters that stay with the reader long after the story is over.

Reblogged from: here